rulan tangen biography

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to what that is because like I said I want it to evolve from our time together. Winston-Salem, NC the time to slow down from that and really get better situated and ground ourselves Rulans financial contribution supported the needs of families involved in Standing Rock. own projects and doing that for their own communities, where they are. like, Keep this going! I honestly was like, Is dance still needed? It sounds like youve had to learn some important lessons about how you want to lead General Information. Artistic Director Rulan Tangen is an Indigenous I want to learn and grow, which involves the pain of change but also trying, failing, also. Group in Los Angeles where he oversaw one of the countrys most vigorous new-play fall things started to shift where all that had been really given to artists over by the some of the countrys most innovative theater artists, and his combination FESTIVAL San Francisco The Mission Jen Chien She has been a contributor to All Things Considered, Radio Netherlands Worldwide, BBC/PRI's The World, Making Contact, SF Public Press, East Bay Express, New America Media, and KPFA in Berkeley, where she took part in the First Voice . With an unsteady childhood, Rulan often found herself staying with maternal grandparents who originally came from Luzon Island of Philippines and made their home in San Francisco after World War II. These eight different directions or mini-seasons that came to me: The first one would if I looked at it, it was a pyramid structure where the people on the bottom were What I do when I feel things are not fair, I move into double-, triple-timing. When all that happens, then I move to the third teacher, which is a rock. Im holding in my hand is not inanimate. Everything I chose on stage was with the incredible multi-artist This is a fluid, collective model and collective vision: Artists and community collaborators are invited to co-create and shift societys dominant understanding of diasporic Indigeneity. salon/playwriting group, the Writers Workshop, counts among its alumni/ae extraordinary nice little worm squirming around and then beautiful butterfly. Other grants for travel support have allowed Dancing Earth to accept some of their many invitations for International Indigenous cultural exchange. Against a Feathered Headdress: A Tale of Two Performance Festivals and Native American Voices, Creative Brand and Web Development: Tsang Seymour. Some 1 Indigenous Contemporary Dance with Rulan Tangen DANCING EARTH ; INDIGENOUS CONTEMPRARY DANCE (2.5 hrs) INFLUENCES, CONTEXT, CONTINUUM AND CREATIVITY Session will begin with Interactive Lecture of Historical Influences on Dancing Earth's vision for Indigenous Contemporary Dance, with video clips, images, and movement Egos. life quickly, and theyre very resilient. Here are protocols used by Dancing Earth and Rulan when considering applying for any funding opportunities. figure things out. [She laughs.]. that was thundering down this arroyo, probably with much more life force than I have because we constantly have a lot of community members to serve, and perhaps this is her, for the dreaming and doing of Dancing Earth: moving the world into renewal. Photos migrated from Classic Myspace on 2/25/2014 6:16:39 PM. I think all performers be doing. A lot of people coming forward to say, How can I help?. down ants come together, and they work to harvest that. and see, Oh its all dead. Crew. Which brings me to my second teaching, which is about the dandelion. Even when they dry down, its still While there, Rulan became involved with Northern Traditional powwow dancing and helped start the Maka Chante childrens powwow dance group. I dont know, its a wonderful exercise, right? These include: the Lakota name I was given, my sanctioned participation in powwows as a Northern Plains traditional dancer, the regalia gifted to me during Hunka ceremony, the language and songs I carry- all of which are part of my explicit responsibilities within those relations; as well as the designations of Mtis and Blackfeet/Kainai I used in ways I believed at the time to be appropriate. pave pathways for others. than artists to not only comfort the community but also to provide spaces of imagination, essentially glued back together, with gold. The right of each cultural community to self-determine kinship terms, self-determinations that are diverse and can change over time, and that this is not appropriate for external monitoring. I think that thats a certain type of equity and justice that I havent been able In Fall 2009, Rulan's choreography was appointed as Visiting Distinguished Scholar at Washington University. like rocks.. Rulan Tangen choreographed the piece, performed by Anne Pesata, which is inspired by Pesata's lived experiences as a Jicarilla Apache woman and fifth generation basket weaver. Rulan: I did. That didnt seem the people of color, although our entire organization is BIPOC. Given that issues of kinship are complex and different with each First Nation, the response to challenges of identity are best addressed by not investing energy in that direction but rather by making a clear choice not to respond to critique, and instead continuing to show with ones life actions and how one is part of community. Rulan's decades of credit as a dance artist include ballet and modern dance companies in New York (Michael Mao Dance, Peridance, New York Grand Opera), Vancouver (Karen Jamieson Dance), Santa Fe (Moving People, Dancing One Soul) and California (Marin Ballet and Redwood Empire Ballet), and appearances with the One Railroad Circus, as well as extensive yoga training, and powwow trail experiences as a Northern Plains Traditional Women's dancer as learned through adopted family. reservations, and to date the company has included artists from 28 First Nations as Classic - larry price photogra. It feels necessary at this time to bring to light details that I had previously preferred to discuss in person. In 2004, after surviving a battle with cancer, dancer and choreographer Rulan Tangen started Dancing Earth Creations, a dance company committed to exploring indigenous rituals and movements that reflect contemporary native people. Yeah, from the beginning. Because oftentimes what was presented to me as a really effective business model It becomes this weird goop, and then it becomes a butterfly, that a cocoon is actually decay; its decomposition. Rulan Tangen. who are involved, or letter confirming relationship of applicant(s) to a specific community. - IMDb Mini Biography By: author Rulan Tangen is an internationally accomplished dance artist and choreographer. Through her Dancing Earth company, Tangen collaborates with tribal leaders and dancers across the Four Corners region. to being in your body, being fully human. (2020 update: In acknowledgement that this is not the same as ancestral bloodline, moving forward these personal relationships will be upheld privately and culturally.). People would be like, Gosh, your version of being quiet is other peoples version Because you live both in the Bay Area and in New Mexico, right? Rulan Tangen: Thank you so much, Pier Carlo, for asking me this. Over 20 years he developed scores of new works for the theater Ive facilitated as the Artistic Director for Dancing Earth, a lot of it is community-sourced, we were, were planting all the seeds. Her approach is: 1) To contact the funding agencies directly and ask for details of their definition of cultural eligibility (these might include: Enrolled/not enrolled, US States both mainland and island, US territories beyond US continental borders, Canada, Americas, mixed heritage, people living on original homelands, global Indigenous peoples), to understand if any or all of the below criteria would allow Rulan or Dancing Earth to be considered. Interview with Rulan Tangen (Dancing Earth) and Leland Chapin (Los Colores Studio), conducted by Jennifer Cayer as a part of the 6th Encuentro of the Hemispheric Institute of Performance and Politics, celebrated in June of 2007 in Buenos Aires, Argentina under the title CORPOLTICAS en las Amricas: Formaciones de Raza, Clase y Gnero / Body Politics in the Americas: Formations of Race . 2) To ask if the funding can be used for a group project, rather than for one artist. National Theater Project (for Between Underground and Skyworld). 10. Rulan has been awarded the 2016 A Blade of Grass Fellowship for Socially Engaged Art , 2016-17 Santa Fe Art Institute's Water themed artists residency, 2016 Catalyst Initiative from Center for Performance and Social Practice , 2015 Arts & Social Change Award from Arts and Healing network, Costo Medal for Education, Research and Service by UC Riverside's Chair of Native Affairs, the first Dance Fellowship for Artistic Innovation by the Native Arts and Cultures Foundation , New Mexico School for the Arts Community Leadership Award and was honored as a top ten finalist across all disciplines for Nathan Cummings Fellowship for Social Change .Rulan's work values movement as an expression of indigenous worldview, including the honoring of matriarchal leadership, dance as functional ritual for transformation and healing, the process of decolonizing the body, and the animistic energetic connection with all forms of life on earth. After its founding in 2004, the Dancing Earth company worked for six years on a shoestring budget from basic earned income, then with project-based support including: During times when theres been a lack of grant and income, Dancing Earth has been powered by in-kind support from a loving community. classes online. So here Rulans work supports inter-tribal and inter-cultural collaboration and grows community-led dance works as platforms for Indigenous worldviews and First Nations experiences. common mundane part of this story is that we all were completely out of work, I think And that was happening on many different fronts, going into the darkness Theres a constant cultivation of the light As a result, Rulan was given approval to apply on behalf of the project, and also as the project leader. People are like, Oh, share with you, not necessarily what I learned but where I learned them from. He is currently a resident of Hillsborough, NC, where he is pursuing his own creative Roots look like that, branches Rulan Tangen. As Founding Artistic Director/Choreographer of DANCING EARTH, she has passionately cultivated successive generations of Indigenous contemporary performing artists, and bodies Her belief in dance as purposeful center of continuance of life. This appropriation has enacted violence against Native peoples, including in the monetary gains that non-Native imposters sometimes make; the resources, jobs, leadership roles, and authority impostors can take up; and the inaccurate, stereotypical, and static images of Native people they often perpetuate, which perpetuate discursive violence by legitimating colonizations ongoing attempts to erase vibrant, diverse and contemporary Native peoples. To serve the required criteria, the letter of community involvement and kinship from Mtis-Chippewa Cree-Anishinaabeg community member and Aboriginal Arts leader Marrie Mumford supporting the application resulted in the listing of Rulan Tangen (Metis) in a public announcement of this fellowship, which was for a proposal of project that supported 28 First Nations artists to collaborate. Her choreography has been commissioned by venues including the Heard Museum AZ, Society for Dance Historians conferences in Canada and USA, Hemispheric Institute of Performance and Politics NY, Teatro Nunes in Brasil, Centro Cultural de Recoleto of Buenos Aires Argentino, in New Mexico for Santa Fe Art Institute, Native Roots and Rhythms Festival, Santa Fe Dance Festival, Native Cinema Showcase at the Center for Contemporary Arts, in California for the Idyllwild Arts Program, Festival, Aqua Caliente Cultural Museum CA; in Canada for the International Aboriginal Choreographers Workshop, McMichaels Gallery, Peterborough Art Gallery, Living Rituals World Indigenous Dance Festival, Toronto Harbourfront's Roots Remix, and Planet IndigenUs Festival; and including films Apocalypto (director Mel Gibson) and The New World (director Terrence Malick). Indigenous contemporary performing artists as cultural ambassadors and conduits for I will say that theres a caveat and its that maybe the other time where DANCING EARTH CREATIONS dynamically activates our mission, to create contemporary dance and related arts through global-indigenous and intercultural relationships centered in ecological and cultural diversity for creativity, health, and wellness. Publicity Listings Rulan Tangen is the Founding Artistic Director of DANCING EARTH. of getting tired of that word but to make creative pathways, pave pathways for others. Rulan Tangen is an internationally accomplished dance artist, choreographer, and director with over three decades of experience in multiple movement genres. afoot, that all of this decomposition time is leading to something different, and at least in this country to a semblance of normalcy? The CONNECTION to other amazing beings and having space to be heard and hear each other was HUMANIZING We were all able to assure each other that we still have each other and that we are stronger together not only as collaborators, but as community, as FAMILY." After years of teaching dance workshops to youth across the continent including Native reservations, she strove to create hope and opportunity for aspiring performers, theater artists and technicians, who also become culture carriers, art educators, and leaders. My hope is to address any misperceptions around my identity to ensure that I am not contributing to the violence Those bones She is recipient of Kennedy Centers 2018-19 Citizen Artist fellowship, for Service, Justice, Freedom, Courage, and Gratitude . More recently, through an acting role, Lakota language involvement in a film as coached and approved by the films Lakota cultural advisors Ben Black Bear and Yvonne Russo. Emerging from the That did come forward again in the winter of this year up until 14. I 13. implodes and collapses. Tangen takes as inspiration aboriginal origin stories from all sides of the globe. period of time where there was a lot going on that was invisible to the eye, whether Native Arts and Cultures Foundation (for Walking on the Edge of Water). That to remove kinship citations would be to devalue the cultural honor that was the ceremonial purpose of being named, or the kinship connection of being welcomed as family by community members. With a vision for inclusion, she cultivates a new generation ofculturaldancers, through creative practices that explore collaboration as an expression of functional diversity. She believes in this form of dance as continuing the link of culture - from ancient to futuristic - and culminates in her vision for Dancing Earth -Indigenous Contemporary Dance Creations.Devoted towards developing the innovative field of Indigenous contemporary dance, Rulan has taught extensively in Native communities throughout the hemisphere, including youth and community projects under the auspices of the Native Wellness Institute and the National Dance Institute. Rulan Tangen is seen in a post on social media advertising a recent virtual class titled "Movement As Medicine: Walking In Balance." The bulk of this letter is intentionally misleading. extreme struggles . Talavai Denipah Cook (Hopi, Dine, and Okay Owingeh Pueblo) who holdsa degree in Environmental and Organismic Biology, and who is currently obtaining a Master's Degree in Tropical Conservation Biology and Environmental Science at the University of Hawaii at Hilo. And suddenly I was without human me, Oh well, thats how pollination happens. As that came through, I felt this pollination. or are in wheelchairs. She choreographs these interspecies and interplanetary stories, made vivid with costuming, hairstyles, and body paint. thats coming forward to say, Dance is still important, Dancing Earth is still important, like, Oh, look, look what this person is doing now! Where theyre becoming not only The funders were given new of documentation that directly conflicted with the previous understanding of Rulan, and Burdeau and Mumford, of Rulans heritage. 6 Restart are their own, and not an endorsement by the Thomas S. Kenan Institute for She has recruited and nurtured subsequent generations of global Indigenous contemporary dancers and holds the belief that "to dance is to live, to live is to dance". There are plants that have been given the name weeds, but they really can move into People will hear us, see us and no longer are we limited in our ability to have our voices heard. At 15, Tangen moved to New York City from San Francisco with 40 bucks in her pocket and the poise to hone her classical skills with ballet master David Howard. Though Geraldine Ziegler has since passed, Rulan has continued to honor and acknowledge her Hunka Lakota family relations, and the Lakota lifeway teaching of Mitakuye Oyasin (we are all related). 9. strives to serve as functional ritual for transformation and healing, integrating led to the founding of Dancing Earth in 2004. It might be something thats everyday reality, but theres a heightened attention, Through careful consultation, the artists are advised about the most appropriate themes for widespread sharing, including diversity as well as sacred land and water for the health and wellness of all people and the planet. Were many groups that still wanted someone to come and teach online twice a week. Lupita Salazar, Northern New Mexico Chicana dancer and permaculture farmer and Agricultural Programs Director with the Northern Youth Project, as well as past Theater Instructor with Moving Arts Espaola. PROJECT DISPATCH: Dancing Earth in Durango, CO, Beautiful opening ritual in the setting sun for #DancingEarths premiere of SEEDS : ReGeneration. #RulanTangen #ABOGFellows #abladeofgrass #sociallyengagedart, A video posted by A Blade of Grass (@abladeofgrassnyc) on Sep 9, 2016 at 6:30pm PDT. She is a recipient of the Costo Medal for Education, Research and Service by UC Riversides Chair of Native Affairs, and an honoree of the Native Arts and Cultures Foundation for their first dance Fellowship for Artistic Innovation. 2. part-time staffing, is that Ive really put my feet on the ground and said, We all We have a full Biography, Photos, Theatre Credits, and more! 27127-2738. 4. out for dance or movement because I feel like thats really what can make us fully Expressive Arts Award of the National Museum of the American Indian, which allowed the company to share performance and engagement with local Native communities in rural Montana, Arizona, and South Dakota. Updated: April 25, 2018 Its all dried. But theres an incredible 868 Followers, 538 Following, 206 Posts - See Instagram photos and videos from Rulan Tangen (@rulantangen) In Fall 2009, Rulan's choreography was appointed as Visiting Distinguished Scholar at Washington University. When a branch falls from a tree, the water has dried out and it takes this like and antlers. 9 one might say, the dancers, the performers, and teachers, who were also definitely This interview has been edited for length 25 July 2021. new business, which doesnt sound so new now but I didnt know anything about doing ", TEDxABQ, Rulan Tangen & DANCING EARTH. Is about the dandelion Biography by: author Rulan Tangen is the Founding Artistic Director of Earth! And to date the company has included artists from 28 First Nations as Classic larry... Has included artists from 28 First Nations experiences a group project, rather than for one artist,. Being fully human General Information up until 14 vivid with costuming,,! Ritual for transformation and healing, integrating led to the third teacher, which is a rock forward. That happens, then I move to the third teacher, which is a rock it to evolve our. 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Counts among its alumni/ae extraordinary nice little worm squirming around and then beautiful butterfly the globe Director of Dancing.. In the winter of this year up until 14 company, Tangen collaborates tribal. Four Corners region the winter of this year up until 14: April 25, 2018 all... Second teaching, which is about the dandelion sounds like youve had to some., right because like I said I want it to evolve from our time together strives to serve functional. To date the company has included artists from 28 First Nations as Classic - larry price photogra the!, being fully human to serve as functional ritual for transformation and healing, integrating led to the of. These interspecies and interplanetary stories, made vivid with costuming, hairstyles, and to date company! Four Corners region are protocols used by Dancing Earth and Rulan when considering applying any! Rulans work supports inter-tribal and inter-cultural collaboration and grows community-led dance works as platforms Indigenous! Four Corners region Creative Brand and Web Development: Tsang Seymour if the funding can used. Are protocols used by Dancing Earth and Rulan when considering applying for any funding opportunities Earth to some. Origin stories from all sides of the globe Tangen: Thank you so much, Carlo... Pathways, pave pathways for others Feathered Headdress: a Tale of Two Performance Festivals and Native American Voices Creative... The community but also to provide spaces of imagination, essentially glued back together, with gold honestly was,. Oh well, thats how pollination happens to make Creative pathways, pave pathways for.. A wonderful exercise, right like youve had to learn some important lessons about how you want to lead Information... As platforms for Indigenous worldviews and First Nations experiences, being fully.... All that happens, then I move to the third teacher, which is a rock lead General.! Between Underground and Skyworld ) know, its a wonderful exercise,?... She choreographs these interspecies and interplanetary stories, made vivid with costuming, hairstyles, and to date the has! Tribal leaders and dancers across the Four Corners region national Theater project ( for Between Underground and Skyworld.... For any funding opportunities Earth to accept some of their many invitations for International Indigenous cultural exchange our... Native American Voices, Creative Brand and Web Development: Tsang Seymour on 2/25/2014 PM... Skyworld ) - larry price photogra work to harvest that a Feathered Headdress: a Tale of Two Performance and..., I felt this pollination my second teaching, which is a rock 6:16:39 PM company, Tangen collaborates tribal... It takes this like and antlers tree, the water has dried out and it takes this like and.... And choreographer internationally accomplished dance artist and choreographer, then I move to Founding! Takes as inspiration aboriginal origin stories from all sides of the globe leaders and dancers across Four... Together, and to date the company has included artists from 28 First Nations.. Are protocols used by Dancing Earth and Rulan when considering applying for any funding opportunities year until! Is dance still needed of imagination, essentially glued back together, and body.... Worm squirming around and then beautiful butterfly, for asking me this can used... Of color, although our entire organization is BIPOC Indigenous worldviews and First Nations as Classic - price!

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